Image Not Available
for BOYLE, SHARY
BOYLE, SHARY
CANADIAN, b. 1972
Boyle began making sculpture in the late 1990s, modelling small polymer clay figures. Seemingly naïve and otherworldly, these flesh-like works incorporated fantastical imagery and often had an explicitly sexual aspect. She began working with ceramics in 2002, following a workshop on cast porcelain figurines and lace draping, approaches typically associated with elderly hobbyists. Boyle began researching the European history of the porcelain figurine, critically appraising its Enlightenment roots. The resulting works, exhibited at Toronto’s The Power Plant Contemporary Art Gallery in 2006, balanced highly refined and seductive surfaces with startling, sometimes disturbing imagery: a noblewoman holding her own bloody head in her hands, a lady consumed by delicate blossoms, a reclining damsel with an arching ouroboros of heads terminating between her legs.
Shary Boyle continues to work in sculpture, installation, drawing, and performance. Her multidisciplinary artworks were the subject of a major touring exhibition, Shary Boyle: Flesh and Blood in 2010–2011. She represented Canada at the 55th Venice Biennale in 2013 with Music for Silence, and co-curated the collaborative touring project Earthlings in 2017. Boyle has performed and exhibited extensively, from Los
Angeles, New York, Paris, and Icheon, South Korea, to remote communities such as Dawson City, Yukon Territory, and Inuvik, Northwest Territories. Her work is widely represented in private and institutional collections, including the National Gallery of Canada, the Art Gallery of Ontario, the Montreal Museum of Fine Arts, and the Gardiner Museum.
Shary Boyle: Outside the Palace of Me. Gardiner Museum. Accessed February 3, 2024. https://www.gardinermuseum.on.ca/event/shary-boyle-outside-the-palace-of-me/
Person TypeIndividual
INUIT, QAMANI'TUAQ (BAKER LAKE), 1906 - 1985
INUIT, CAPE DORSET 1948-2017