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KIMBLE, JAKE

Chipewyan (Dënesųłıné) b. 1994

BiographyJake Kimble is a multidisciplinary Chipewyan (Dënesųłıné) artist and curator from Treaty 8 territory in the Northwest Territories whose practice revolves around acts of self-care, self-repair, and gender-based ideological refusal. Kimble belongs to the Deninu K’ue First Nation and currently lives, works, and shoots on the stolen territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish) and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) Nations. Holding both a degree in Acting from Vancouver Film School as well as a BFA in Photography from Emily Carr University of Art + Design Kimble imbues his work with a sense of theatricality and levity, which are core principles in their practice. Through a clever subversion of the everyday aesthetics Kimble also plays with language and ambiguity – something that comes natural with them being a two-spirited artist. Using a funny bone as a tool, Kimble excavates themes of existentialism, narcissism, and the strange, offering an invitation to the audience to examine the absurdities that exist within the everyday so that they too may exhale, unclench, and even chuckle in the spaces where laughter is often lost.

They have completed residencies at the Burrard Art Foundation, Vancouver, and the Banff Centre for Arts + Creativity, Alberta, and was the co-curator of the 2024 Contemporary Native Art Biennial (BACA). Kimble’s work was featured on the King and Shaw Street billboards for the 2023 Scotiabank CONTACT Photography Festival, and was included in a group exhibition at Audain Art Museum alongside Adad Hannah, Michelle Sound, and Jin-me Yoon for the 2024 Capture Photography Festival. Kimble's work has been exhibited in various group and solo exhibitions across Canada, and can be found in notable collections such as the TD Collection, the Scotiabank Collection, and in the Art Gallery of Hamilton.

(jakekimble.ca, 2025)

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